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- Contemporary Art in North America, Essay by Michael Wilson,
- Black Dog Publishing, London, Art World Series, 3 Goldstein illustrations:
- “Metro-Goldwyn-Mayer, 1975
- “A Ballet Shoe,” 1975
- “Untitled,” 1981






- Steel Stillman, James Welling: An Interview” in Art In America, 2/4/11.






- Jack Goldstein, illus. in catalog autumn 2010: Untitled, 1983, Acrylic/canvas,
- Musee D’Art de Joliette, Quebec, Canada






- Anne Dell’Aria, Appropriate Appropriation: A Comparison of Reuse of Images
- Across the Terms Postmodern, Postcommunist and Postproduction. Illus., “Metro Goldwyn-Mayer.”






- Finkel, Jori, Los Angeles Times/Entertainment Section,
- “Orange County Museum of Art Rescues Jack Goldstein Show Scrapped by MOCA”, July 12, 2010






- “Psychedelic: Optical and Visonery Art Since The 1960’s”, Edited by
- David S. Rubin, San Antonio Museum of Art with MIT Press






- Jack Goldstein, “Metro-Goldwyn-Mayer”, 1975, Illus.
- La Conservera (Contemporary Art Center) Murcia, Spain by Banks Violette






- Jack Goldstein, Ausstellungskatalog, MMK Museum fur Moderne
- Kunst, Frankfurt, Germany






- Stroun, Fabrice:Preview, in Artforum, September 2009, NY, NY,pp.122-123






- Buss, Esther: Gesten gegen den Autoren, gegen das eigene Verschwinden
- Jack Goldstein, Spex, no. 322, Berlin, S.95 – 99






- Frenzel, Sebastian: Jack Goldstein und die Pictures Generation, Monopol,
- no. 4, Berlin, S. 30 – 45






- Morgan, Robert C., Jack Goldstein Paintings: 1980 – 1985, in The Brooklyn
- Rail, July – August






- Singerman, Howard: The Myth of Critisism in the 1980’, in: X-TRA, Fall, vol. 8, no. 1






- Am Rand von Hollywood- Kunst von Jack Goldstein, in: De:Bug, Berlin, July






- Buchholz, Daniel and Christopher Muller: Jack Goldstein, Filme, Schallplatten,
- Performances und Aphorismen 1971-1984, Ausstellungskatalog, Koln, Germany
- Richard Hertz: Jack Goldstein and the Cal Arts Mafia, Ojai, CA: Minneola Press
- Jack Goldstein, “Obituaries,” Art In America, New York , May 2003,p.166.
- Chrissie Iles, “Vanishing Act”, Artforum, New York , pp.23-24.







- Jan Tumlir, “Jack Goldstein”, Artforum, New York , Jan. 2002, p.64.
- “Goldstein au Magasin', L'Essential de Grenoble, Grenoble , Jan. 2002, p. 56.
- “Phonix aus der Asche”, Frame, Vienna , January – March 2002, p.118.
- S .P., “Goldstein, le son et l'image”, Sortir, Grenoble, February 13-20, 2002.
- Emmanuel Grandjean, “Jack Goldstein resort en Magasin”, Tribune de Geneve,
- Switzerland, February 16-17, 2002, p. 15.
- Olivier Michelon, “Rester a la surface des choses”, Le Journal des Arts, Paris, February 22 – March 7,   2002,   p.2.
- Sotris Kyriacou, "Jack Goldstein," Contemporary, London, February 2002, p.12
- "Jack Goldstein," Isere Magazine, Grenoble, February, 2002, p.11
- "Expos," Bloc Notes (MAPRA), Lyon, February, 2002, p.42
- Jean-Louis Roux, "De la distance, de l'absence et de la deception," Les Affiches de Grenoble, Grenoble, March 1, 2002, p.109.
- Genevieve Breerette, "Jack Goldstein sur le boulevard du Crepuscule," Le Monde Paris, March 5, 2002, p.31.
- Hugo Gaspad, "Inclassable," Le Petit Bulletin, Grenoble, March 6-13, 2002, p.5
- "Jack Goldstein revient a Grenoble," Tribune de Geneve, Geneve, March 30-31 2002, p.30
- Vreonique d' Auzac de Lamartinie, "Jack Goldstein, retro-projection," Beaux Arts magazine, Paris, March   2002, p.35.
- Celine Perruche, "Electrochoc," DS, Paris, March, 2000, p.28
- Jean Pagneux, "Jack Goldstein au Magasin," Le Travailleur Alpin, Grenoble, March, 2002, p.30.
- Anaid Demir, "Resistance," Jalouse, Paris, March 2002, p.30.
- Judicael Lavrador, "Jack Goldstein," Upstreet, Paris, Spring 2002, p.124
- Jack Skillen, "Jack Goldstein," The Cat's Eye Europe, Paris, Spring 2002, p.21
- "Jack Goldstein," Critique d'art, Chateaugiron, Spring 2002, p.90
- S.P. "Un parcours proteiforme," Le Dauphine Libere, Grenoble, April 18, 2002, p.7
- Agenda, "Jack Goldstein," Art Actuel, Paris, March-April, 2002, p.54-55
- Francoise-Claire Prodhon, "Depuis le debit des annees 1970, ...", AD Paris, April 2002, p.45
- PEN, "Voyages interieurs," Tetu (agenda), Paris, April 2002, p.48
- Damien Sausset, "Goldstein, un heros de l'art american" L'Oeil, Paris, April 2002, p.84
- "Jack Goldstein," Air France Magazine, Paris, April 2002, p.148
- Nicholas Audureau, "Jack Goldstein: un art defigure," Parpaings, Paris, April 2002, p.20-21
- Morgan Falconer, "Jack Goldstein," Art Monthly, London, April 2002, p.33-34
- Christian Holler, "Produktion des Verscheindens" Springerin, Vienna, April 2002, p.46-49
- B.L., "Goldstein impact," Connaissancedes arts, Paris, April 2002, p.24
- V. d'Auzac de Lamartinie, "Jack Goldstein," Para-para (suppl. Parachute), Montreal, April-June, 2002 p.2-3
- "Revelation de structures," Movement, Paris, April-June 2002, p.139
- David Pagel, "Artist on a Daring Mission," Los Angeles Times, Los Angeles, June 1, 2002, p.F2
- Peter Frank, "Jack Goldstein, " L.A. Weekly, Los Angeles, June 21-27, 2002, p.156
- Ed Halter, "Jack Goldstein Returns to New York: Circles of Light," The Village Voice, New York, July 9, 2002.
- Johanna Burton, "Might as well jump" Time Out New York, New York, August 1-8, 2002, p.51






- Dorn, Anja: "Jack Goldstein," Metropolis M, No.1, February-March, p.51
- Fisher, Jean/Santacatterina, Stella: "Figuring difference- The work of Jack Goldstein," in Afterall, Issue 4, pp.28-39
- Holert, Tom: "Managing fascination _ Jack Goldstein, Hollywood and the desire for control," in Afterall, Issue 4, pp.40-47
- Kempkes, Anke: "Jack Goldstein, Galerie Daniel Buchholz, Cologne," in Frieze, Issue 58, April, p.94-95
- "Pictures at an Exhibition," in The New Yorker, 18-25, June
- Rimanelli, David: "Signs of the Time," in Artforum International, October 2001, p.130-132 (Cover)
- Rothkopf, Scott: "Hit or Myth," in Artforum International, October 2001, p.133-134 (Cover)
- Smith, Roberta: "When Photography became Postmodern," The New York Times, June 29th
- Wege, Astrid: "Seine Aussprache macht das Verstehen so Scweierig," in: Texte zur Kunst, vol.11, Issue 41, March, p. 172-176
- Wehr, Anne: "deja view," in: Time Out, New York, no. 295, 17-24, May
- Cranston, Meg: "Haunted by the Ghost: Jack Goldstein then and now," in: Art & Text, no.75, November 2001 - January 2002, p.58-65
- Meyer, James: "Best of 2001," in: Artforum International, December 2001, p.106-134 (Cover)






- Roos, Renate: "Ganzheit und Einheit durch Hyperrealitat- Jack Goldstein: Filme, Schallplatten, Bucher: Galerie Daniel Buchholz, Koln"   in Kolner Stadt Anzeiger, December No.298






- "Artists and Apprentices," Art in America, February




- Nancy Tousley, "Jack Goldstein," Mendel Art Gallery, Art Review, November 3
- John Bentley Mays, "Collision of Cultures," The Globe and Mail, Toronto, July 4
- Nancy Toulsey, "Goldstein Like a Dazzling Dream," Calgary Herald, Feb 25
- Kate Taylor, Art Review, The Globe and Mail, Toronto, Sept




- "Excerpts from Totems: Selected Writings, 1988-1990 by Jack Goldstein, MVS Magazine, Toronto, Winter 91/92 edition
- Stuart Ewan on the Gulf War: A Report from The Couch, Artforum International, March, Illus., p.13
- "American Art of the 80s," Trento, Italy, Catalogue essay by Jerry Saltz
- Retrospective Catalogue, The Mendel Art Gallery, Canada, Introduction essays by Bruce Grenville and Fiona McLeod
- Los Angeles Times, April 4, Art Review by Cathy Curtis




- Jean Segal, Art Discourses: The 80s, New York, various essays
- Linda Genereux, "Post-modernist Discoursing," October
- Suvan Geer, "Galleries," The Los Angeles Times, June23
- Christopher Knight, Los Angeles Herald Examiner, June 23






- Gordon Lebrendt, "See the Pictures Come to Read You," C. Magazine, Toronto, Canada
- Sol Ostrow, "Diagrams and Surrogates, "Exhibition catalogues, Shea and Becker Art Gallery, New York
- "Artists of the 80s," Selected works from the Maslow Collection, Exhibition Catalogue, Sardoni Gallery, Wilkes College, PA.
   Text by Jack Goldstein
- Barry Rosenberg, "Technical Abstraction," exhibition catalogue, Wright University Art Gallery, OH
- Tellus," The Audio Cassette Magazine, #21, New York
- John Zinsser, "Jack Goldstein at John Weber," Art in America
- Suzanne Siesin, "Where Contemporary Arts is the Decor," New York Times, Feb 2
- "Forest of Sign," Exhibition catalogue, Museum of Contemporary Art, Los Angeles Exhibition catalogue, Simon Salama, Caro Gallery,   London, England






- "Opening," Arts and Antiques, Jan p.32
- William Wilson,, "The Galleries," The Los Angeles Times, April 1
- Christopher Knight, "Brilliant Paradox. Los Angeles Herald Examiner, April 8
- Gordon Lebrendt, "See the Painting Comes to read you," retrospective exhibition catalogue






- Roberta Smith, "New Art," The New York Times, May 1
- Maja Damajanovic and Ronal Jones, exhibition catalogue, essays, John Weber Gallery, New York
- Klaus Ottoman, "A Different Corner," Ecuador Biennial catalogue
- Rosetta Brooks, Catalogue essay in L'Epoque, Le Monde, La Passion, Centre d'art Contemporain, George Pompidou, Paris, France
- "Beyond Boundaries," edited by Jerry Saltz, Alfred Van Der Mark Editions, New York
- Shaun Caley, "L'Epoque, La Monde, La Morale, La Passion, at Georges Pompidou," Flash Art Magazine, Oct/Nov
- Jack Bankowsky, "Jack Goldstein," Art Interview, Journal of Contemporary Art, New York
- Ronald Jones, "Material Fictions," exhibition catalogue, 49th Parallel Gallery, New York, NY
- Jude Schwendenwein, Artscribe International, review, Nov/Dec
- Peter Frank, "New, Used and Improved Act for the 80s," p. 14-18, 45,46, Abbeville Press, New York, NY
- David Rubin, "Computer Assisted, "exhibition catalogue, Freedman Gallery, Albright College, Reading, PA
- "Art After Modernism: Rethinking Representation," exhibition catalogue, The New Museum, New York, NY
- Quoted in "Theorizing Post Modernism," by Roland Barthes, and "Pictures Generation," by Douglas Crimp, illustrations on page 175   and 190.






- Rosetta Brooks, Artforum Magazine, June
- Rosetta Brooks, Flash Art, June
- Hal Foster, "New Abstraction," Art in America, June, cover reproduction
- Lisa Phillips, High Art and Textile, Summer, p.25
- Dan Cameron, "Report from the Front," Arts Magazine, Summer
- Ellen Handy, "Art Review," Artforum Magazine, October, p.116
- Peter Drake, "Art Review," Flash Art Magazine, Spring, p.54
- Carlo McCormick, "Art Review," Artforum, October, p.130
- CEPA Quarterly, Fall, p.8-9, Buffalo, NY
- Richard Hunington, Buffalo Evening News, Review, October 5
- Rosetta Brooks, "Space Editions," Flash Art, Dec/Jan, p.78-80






- Jean Fisher, Jack Goldstein, exhibition catalogue, Stadtisches Galerie Erlangen, West Germany
- Eleanor Heartney, "Jack Goldstein," Cash/Newhouse Gallery, Art News Magazine, March, p.144-145
- Therese Lichtenstein, "Jack Goldstein," Arts Magazine, March, p.37
- Jean Fisher, "Art review," Artforum, March, p.96-97
- Arts Magazine, "Album"






- Thresa Annas, "Small Chrysler Exhibit Large on Symbolism," review Virginia Pilot and Ledger Star, Feb. 9
- Linda McGreevy, "Art and Orwell," Port Folio, Virginia, Feb 7
- Robert Kleyne, "Protective Mimicry," Vanguard, March, p.24-30
- Carly Lovelace, "California Institute of the Arts and Rematerialization of the Art Object," High Performance no. 25
- Umgang mi der aura, Exhibition Catalogue, Stadtisches Galerie Regensberg, Edition Howeg, West Germany
- Linda Cathcart, "A Decade of New Art," Exhibition Catalogue, Artists Space, New York
- "Drawings: After Photography," Exhibition Catalogue, Independent Curators Inc., New York
- "Art 83/84: World Art Trends," edited by Jean Louis Pradel, Jacques Legrand, International Publishing, Paris, France p.168
- Kynaston McShine, "An International Survey of Recent Painting and Sculpture," Exhibition Catalogue, Museum of Modern Art, New   York, p.150-151
- Thomas Lawson, "Interference on the Line," Contemporary Perspectives 1984, Exhibition Catalogue, Bucknell University, Lewisburg,   PA
- "An International Survey of recent Painting and Sculpture," Art News, May






- Roberta Smith, "Jack Goldstein's Flashes of Light," The Village Voice, April 5, New York
- Klaus Honnef, "Jack Goldstein," Kunstforum Magazine, June p.38-39
- Mick Hartney, "Jack Goldstein," Art Monthly, no.67, London, June, p.15-16
- Flavio Carroll, "La Forme e l'informe,"exhibition catalogue, Three Rivers Arts Festival, Pittsburgh, PA
- Marjorie Allthorpe-Guyton, "Jack Goldstein," Arts review magazine, London, June 24
- Jack Goldstein, "Mind over Matter," Effects, no.1, new York, Summer, p.9
- Michael Compton, "New Art," exhibition catalogue, Tate Gallery, London
- Merope Lolis, "Twin Desires," ZG Magazines, London, England
- Klaus Honnef, "Back to the USA," exhibition catalogue
- Kunstmuseum, Lucerne and Rhinisches Landsmuseum, Bonn, West Germany
- Jean Fisher,"Jack Goldstein/The Trace of Absence," Artforum, November, p.60-63
- Grace Glueck, "Artists who Scavenge from the Media," The New York Times, January 9, p.29-30
- Peter Bode, "Eine Scone Datastrophe," Abenzeitung, Munich, West Germany, Feb 9
- Peter Schjeldahl, "Falling in Style: The New Art and Our Discontent: Vanity Fair, March
- Jack Goldstein, "Schone Vis a Vis," Bulltin Minestrial d'Art Contemporain, Cover Illustration, Brussels, Belgium, p.6-10






- John Hutton, "Art Review," Arts Magazine, January
- Deborah Phillips, "Jack Goldstein at Metro Pictures," Art News, January
- Craig Owen, "Back to tech Studio," Art in America, January
- Peter Schjeldahl, "Mind Over Matter," The Village Voice, New York, March 9
- Sakia Bos, "Icarus in Jet Tijdperk Van de Ruimte Vaart," Kunstschrift, Holland, January/February
- Helen Kontova, "From Performance to Painting," Flash Art Magazine, Feb/March
- The Mystic Lamb, Text by Fluvio Salvadon, Painting by Jack Goldstein Centre d'Art Contemporain, Geneva, Switzerland
- Paul Richard, "Art and the Question of Borrowing," The Washington Post, April 2
- Helene Weiner, exhibition catalogue, essay, California Institute of the Arts, Valencia, CA
- Flavio Caroli, "Magico Primario," Gruppo Editoriale Fabbri, Milano, Italy
- Valerie Smith, Art Review, Flash Art Magazine, May
- Richard Armijo, "Art Review," The East Village Eye, New York, NY
- "A Fatal Attraction: Art and the Media," The Renaissance Society of the University of Chicago
- Ausstellungskatalog, Documenta 7, Telle 1 and 2, Kassel, West germany
- Anne Rorimer, "74th American Exhibition," The Art Institute of Chicago, Artforum, October, p.74-76
- Roselee Goldberg, "Post TV Art," Portfolio Magazine, July/Aug p.76-79
- Judith Kirschner, "74th American Exhibition," The Art Institute of Chicago, Artforum, October p.74-76
- Paul Schimmel, Exhibition Catalogue, essay, "Shift LA/NY," Newport Harbor Art Museum, CA
- Janet Kardon, Exhibition Catalogue, "Image Scavengers: Painting," Institute of Contemporary Art, University of Pennsylvania
- "Documenta 7 - Ein Rundgang," in Kunstforum, Cologne, Germany, Sept/Oct






- Helene Weiner, Exhibition Catalogue, essay, California Institute of the Arts, Valencia, California
- Carter Ratcliff, "Jack Goldstein at the Kitchen," review, Art in America, January
- Valentine Tartransky, "The Opening of Metro Pictures," Flash Art Magazine, March/April
- Richard Flood, Art Review, ArtForum Magazine, March
- Kim Levin, Art Review, Flash Art Magazine, March/April
- Douglas Crimp, "The Photographic Activity of Post Modernism"
- "Wierderabdruck in Performance," Les Editions Parachute Magazine, Montreal, Canada, October
- Germano Celant, Impressionismo America," Bonini Editore, Benoa, Italy
- Kasper Konig, Exhibition Catalogue, "Westkunst Heute," Mussen der Stadty Koln, West Germany
- Dan Graham, "The End of Liberalism," ZG Magazine, no.2, London
- Thomas Lawson, "The Last Exit Painting," Artforum Magazine, October
- Grace Gleuck, "Art Review," The New York Times, October 9
- Roberta Smith, "Art Review," The Village Voice, New York, October 21
- Kay Larson, "Fear of Style," New York Magazine, October 9
- Rosetta Brooks, "Life in Space: An Examination of the Work of New York Artist Jack Goldstein," ZG Magazine, no.3, London
- Claude Gintz, "One Season in New York," Artists October/November
- "Michael Newman Talks to Jack Goldstein," ZG Magazine, no. 3, London






- Barry Rosen and Helen Weiner, exhibition catalogue, "A Sound Selection" Audio Works by Artists, "Committee for the Visual Arts,   New York and Contemporary Arts Museum, Houston, TX
- Zeno Birolli, exhibition catalogue, "HorrorPleni," Padiglione d'Arte Contemporaneo, Milan Italy
- Flavio Caroli, exhibition catalogue, "New Image: A Generation and a Half of Young International Artists," Regino Lambardia, Milan   Italy
- Thomas Lawson, "Long Distance Information," Real Life Magazine, New York, Summer
- Craig Owens, Art Review, Robert Wilson: Tableaux, Art in America, November






- Rose Lee Goldberg, Performance: Live art 1909 to the Present, Thames and Hudson Harry N. Abrams
- Douglas Crimp, "About Pictures," Flash Art Magazine, March/April
- Thomas Lawson, "The Uses of Representation: Making Some Distinctions," Flash Art, March/April
- Douglas Crimp, "Pictures," October Magazine, Spring 8, New York
- Jan Wessels, "Jack Goldstein in the Gronignen Museum, De Grammaofoonplaat als Bezweringsmedium," in Nieuwsblad van Het   Mooden, Gronigen, Holland, Aug 4
- Flazio Salvadori, exhibition catalogue, Centre d'Art Contemporain, 1974-1979, Geneva, Switzerland






- Peter Frank, "Sound Ideas," The Village Voice, New York, February 20
- Suzanne Munchnic, Art Review, The Los Angeles Times, May 1
- Henry Gerrit, "Picture," Art News, January
- Thomas Lawson, "Pictures at Artists Space," Art in America, Jan/Feb
- Karen Andrews, "Pictures ay the Exhibition," The Oberlin Review, March 3
- David Salle, Exhibition Catalogue, "Jack Goldstein, Distance Equals Control," Hallwalls, Buffalo, New York
- Peter Frank, "Pictures and Meaning," Artweek Magazine, April 29






- "Talking to Jack Goldstein," Interview by Morgan Fisher, Los Angeles Institute of Contemporary Art Journal no. 14, April/May
- Douglas Crimp, Exhibition Catalogue, "Pictures," Artists Space, New York
- "16 Dagen," Text and Illustrations by Jack Goldstein, Gronigen Museum Catalogue, Groningen, Holland
- Germano Celant, exhibition catalogue, "The Record as Artwork from Futurism to Conceptual Art," Fort Worth, TX
- Valentine Tartransky, "Pictures," Arts Magazine, December
- William Zinner, "Pictures and Statements," Soho Weekly News, October 6






- Hans-Peter Wierk, Art Review, Bericht in der Nordsee-Zeitung, Bremerhaven West Germany
- Rubie Rich, exhibition catalogue, "Avant-Garde Film," Art Institute of Chicago
- "Soho" Downtown Manhattan," exhibition catalogue, Academy of Fine Arts, Berlin, West Germany
- Craig Whitney. "Berlin's 26th Fall Arts Festival," New York Times, September 22






- Kim Levin, Art Review, Art News, January
- Ellen Lubell, Art Review, Arts Magazine, March






- Melinda Terbell, Art Review, Arts Magazine, May
- Caroline Tisdail, Art review, London Guardian, September
- Helene Weiner, "Los Angeles Art Today," Studio International, London, October




Copyright (c) Jack Goldstein Estate, 2004 -